Thought I'd try experimenting with photographs of my paintings - in this instance a detail of "Crunch Bird."
Available as a print on watercolor paper.
Saturday, April 5, 2008
Wednesday, March 19, 2008
Tuesday, February 26, 2008
Red Cube
After "Black, White and Red"... I had to wash up.
This is a picture from the kitchen counter.
It may be the better creative effort.
Monday, February 25, 2008
Asemic Journal Now Online
Tim Gaze is publishing a new journal called Asemic Movement. He was kind enough to include some of my work in Volume 1. However, personally, I have enjoyed the content of Voulme 2 more. It shows the asemic works of six artists as show cased at the Hahndorf Academy in Australia.
Follow this link to Vugg Books, scroll down to Tim Gaze and click on Asemic Movement, volume 1 or volume 2. They are large PDFs and take awhile to download.
Be patient.
I have tried to find a link just to intoduce Tim, but have failed. I did come up with an interview he did which involves poetry and calligraphy. So that will have to do.
Saturday, February 16, 2008
Shadows Cast by the Moon
Enlightenment is like the moon reflected on the water.
The moon does not get wet, nor is the water broken.
Dōgen
But, I live in the South and in the winter it is the sun that shines bright yet coldly.
As I watch the magnolia shadows play upon the porcelin of my bathtub and tiles,
it’s as if I can feel Silence stirring,
feel the pressure of a shadow.
My intellect whispers to me, “You can’t,”
even as my senses insist, “Oh!”
The argument is settled as I recall the words,
“the moon does not get wet, nor the water broken.”
Joan Relke, an artist in Australia, recently wrote to me about Lady Li of Shu (Sichuan). Lady Li is credited with creating the tradition of bamdoo brush painting by tracing on her paper window with a brush the shadows cast by the moon and bamboo.
Or, as described in the 17th century poem, Painting Bamboo:
New bamboo has emerged from the low hedge;
Tall and erect, it seems spun from kingfisher feather.
When a shining moon rises over the east porch,
Traceries of bamboo shadow cover the ground.
I run pineblack on a bronze inkstone
And wet the brush to capture its inner meaning.
For unspoiled modesty it is by all means admirable,
But I love most its resolve: to be steadfast, faithful.
Women Writers of Traditional China: An Anthology of Poetry and Criticism p.410
Saturday, January 5, 2008
The Walker
It's a new year and new resolution on trying to keep this gallery up to date.
Here is "just about" my first picture of 2008.
Ink on scanner image. Approximately 7.5 X 9.5" matted for framing in a 14 X 18" frame.
$115 includes shipping. Write me for details.
Wednesday, June 6, 2007
Dark Magnolia - Today's Painting
Summer in Georgia and my magnolia is in bloom. ...a rather dark representation with asemic calligraphy.
Ink on scanner image. Approximately 7.5 X 9.5" matted for framing in a 14 X 18" frame.
$115 includes shipping.
Write me for details.
I can take PayPal... and am shamefully slow in getting my ETSY store open. But, it's summer in Georgia now.
------ SOLD, thank you ----------
Monday, May 28, 2007
A Word (on my art)
E. E. Cummings, enamored of the Imagists while at Harvard in the early 1910s, later said he should have "lived in China where a poet is also a painter."
At the fancy Atlanta gallery they didn’t know quite what to call my “paintings.”
The owner said, “No one is doing this.”
What I was doing was intuitive calligraphy painted directly onto photographs I had printed on watercolor paper. It was “intuitive” as it stemmed from my Taoist practice of “reading energy.” I focused upon photo images and then gave expression to their energy via spontaneous Qigong (or guided movements as it’s called in my meditation tradition).
I called it “calligraphy” because my other inspiration is the Buddhist tradition, spiritual calligraphy.
But, thanks to Tim Gaze in Australia, I have been introduced to “asemic calligraphy” and its roots in art. From Gaze I also learned of Irma Blank, an artist who has illustrated the work of Gertrude Stein. This was a complete circle for me, as Stein was my first discovery of a “sacred language” outside the Vedic and Hebrew traditions.
In the 70’s I had read Allegra Stewart’s book, “Gertrude Stein and the Present.” Here I discovered that by emphasizing sounds and rhythms rather than semantics, grammar and syntax Stein captured “moments of consciousness” independent of time and memory. She tapped the archetypal. For example, in Tender Buttons she created a series of still lifes designed to suggest not the object but its essence and aura. Stein was seeking a "way of naming things that would not invent names, but mean names without naming them."
Now, curiously, via Gaze and Irma Blank, I am brought to illustrations of Stein’s The World is Round, a story in which an insecure nine years old girl, Rose, becomes a hero. Here I find, “A rose, is a rose, is a rose.” But, Rose herself prefers blue: blue eyes, blue chair, blue mountain. And, suddenly it’s feeling fairly Zen to me.
Chapter 26: Rose Does Something
So Rose did not sing but she had to do something.
And what did she do well she began to smile she was climbing all the while climbing not like a stair but climbing a little higher everywhere and then she saw a lovely tree and she thought yes it is round but all around I am going to cut Rose is a Rose is a Rose and so it is there and not anywhere can I hear anything which will give me a scare.
And she thought she would cut it higher, she would stand on her blue chair and as high as she could reach she would cut it there.
Is this a children’s story or a Zen koan? I see a rustic blue chair with a ladder back reaching to the sky.
I hear the simple and straight forward almost babble as it wanders on and on and all around. Semantics are there but syntax is a bit askew and with that we are cut loose a bit to drift - either up or in I am not sure.
But, it does inspire doodle, the intuitive calligraphic.
And I am not the only person doing this.
At the fancy Atlanta gallery they didn’t know quite what to call my “paintings.”
The owner said, “No one is doing this.”
What I was doing was intuitive calligraphy painted directly onto photographs I had printed on watercolor paper. It was “intuitive” as it stemmed from my Taoist practice of “reading energy.” I focused upon photo images and then gave expression to their energy via spontaneous Qigong (or guided movements as it’s called in my meditation tradition).
I called it “calligraphy” because my other inspiration is the Buddhist tradition, spiritual calligraphy.
But, thanks to Tim Gaze in Australia, I have been introduced to “asemic calligraphy” and its roots in art. From Gaze I also learned of Irma Blank, an artist who has illustrated the work of Gertrude Stein. This was a complete circle for me, as Stein was my first discovery of a “sacred language” outside the Vedic and Hebrew traditions.
In the 70’s I had read Allegra Stewart’s book, “Gertrude Stein and the Present.” Here I discovered that by emphasizing sounds and rhythms rather than semantics, grammar and syntax Stein captured “moments of consciousness” independent of time and memory. She tapped the archetypal. For example, in Tender Buttons she created a series of still lifes designed to suggest not the object but its essence and aura. Stein was seeking a "way of naming things that would not invent names, but mean names without naming them."
Now, curiously, via Gaze and Irma Blank, I am brought to illustrations of Stein’s The World is Round, a story in which an insecure nine years old girl, Rose, becomes a hero. Here I find, “A rose, is a rose, is a rose.” But, Rose herself prefers blue: blue eyes, blue chair, blue mountain. And, suddenly it’s feeling fairly Zen to me.
Chapter 26: Rose Does Something
So Rose did not sing but she had to do something.
And what did she do well she began to smile she was climbing all the while climbing not like a stair but climbing a little higher everywhere and then she saw a lovely tree and she thought yes it is round but all around I am going to cut Rose is a Rose is a Rose and so it is there and not anywhere can I hear anything which will give me a scare.
And she thought she would cut it higher, she would stand on her blue chair and as high as she could reach she would cut it there.
Is this a children’s story or a Zen koan? I see a rustic blue chair with a ladder back reaching to the sky.
I hear the simple and straight forward almost babble as it wanders on and on and all around. Semantics are there but syntax is a bit askew and with that we are cut loose a bit to drift - either up or in I am not sure.
But, it does inspire doodle, the intuitive calligraphic.
And I am not the only person doing this.
Saturday, May 19, 2007
Sweet Gum Pool
My backyard is filled with sweet gums. They drop their seed pods seemingly throughout the year. Can that be?
This one fell into the rather untended bird bath.
I am still trying to get my Etsy Store up and going. My slow pace is not the site's fault, but rather mine.
I am such a sweet gum pool my own self.
Faith, patience.
Namaste.
This one fell into the rather untended bird bath.
I am still trying to get my Etsy Store up and going. My slow pace is not the site's fault, but rather mine.
I am such a sweet gum pool my own self.
Faith, patience.
Namaste.
Saturday, May 12, 2007
Floating Berry Buddha
Turns out this is more a "painting of the week" rather than a daily painting.
But, I love the image.
It started as a macro photo of some berry smudge on my kitchen window (from a cardinal attacking his own reflection). It was no larger than a speck. Enlarged, I see I see a wise old Chinese monk floating in the dark heavens.
Soon, I hope to get this listed in my Etsy store. ... so much to do... so little brain.
But, I love the image.
It started as a macro photo of some berry smudge on my kitchen window (from a cardinal attacking his own reflection). It was no larger than a speck. Enlarged, I see I see a wise old Chinese monk floating in the dark heavens.
Soon, I hope to get this listed in my Etsy store. ... so much to do... so little brain.
Thursday, May 10, 2007
Story of the Day
Unfortunately, I don't have the time to post a "daily painting" today - although this one is mine. Instead, I will pass along a "Story of the Day" from the StoryPeople site.
I have a friend who reads people's auras. He sees all sorts of colors like green & red & purple. He says anyone can do it. All it takes is forgetting everything you think you know & just looking. I've tried it & even though I haven't seen any colors yet, everyone I meet looks so beautiful when I stop knowing everything, that it's pretty hard to go back to the old way.
I like that! Enjoy.
Wednesday, May 2, 2007
Magnolia Bud
Original painting of Ink and rubber stamping applied to a scanned image.
Comes double matted to fit 14 X 18" frame with mat opening 7.5" x 9.5"
$115 with free shipping.
This spring I was delighted to discover a Japanese magnolia in my front yard. I didn't know that when I bought the place. So I picked one of February's first bud.
Comes double matted to fit 14 X 18" frame with mat opening 7.5" x 9.5"
$115 with free shipping.
This spring I was delighted to discover a Japanese magnolia in my front yard. I didn't know that when I bought the place. So I picked one of February's first bud.
Monday, April 30, 2007
The Drum - Daily Painting
Arcylic and Ink on photograph printed in archival ink on 8.5 x 11" sheet.
Comes double matted to fit 14 X 18" frame with mat opening 7.5" x 9.5"
$115 with free shipping.
This Celtic drum hangs on the wall above my Buddhist alter.
Comes double matted to fit 14 X 18" frame with mat opening 7.5" x 9.5"
$115 with free shipping.
This Celtic drum hangs on the wall above my Buddhist alter.
Friday, April 27, 2007
Crane Wife
Acrylic, ink on scanner image printed in archival inks on 8.5 x 11" sheet.
Comes double matted to fit 14 X 18" frame with mat opening 7.5" x 9.5"
$115 with free shipping
The Decemberists song "Crane Wife" was the inspiration for this painting. The crane is from a Korean coin I had in my cookie jar.
I wrote an blog entry using this as illustration. (Read that entry).
This painting is now SOLD.
Comes double matted to fit 14 X 18" frame with mat opening 7.5" x 9.5"
$115 with free shipping
The Decemberists song "Crane Wife" was the inspiration for this painting. The crane is from a Korean coin I had in my cookie jar.
I wrote an blog entry using this as illustration. (Read that entry).
This painting is now SOLD.
Thursday, April 26, 2007
Pine Needles on Tin Table
Ink on archival digital photograph. Matted opening 7.5" x 9.5 " on 8.5 x 11" sheet.
Comes doubled matted ready for 14 X 18 frame.
$115 with free shipping.
My paintings come matted because Emptiness is such an important aspect of Zen mind. By doing the matting myself I can present the visual subjects in a manner to accentuate the Silence I am trying to evoke.
Comes doubled matted ready for 14 X 18 frame.
$115 with free shipping.
My paintings come matted because Emptiness is such an important aspect of Zen mind. By doing the matting myself I can present the visual subjects in a manner to accentuate the Silence I am trying to evoke.
Wednesday, April 25, 2007
Firewood 1 - My First Daily Painting!
Ink on archival digital photograph. Matted opening 7.5" X 9.5", sheet 8.5" X 11".
I may not make it everyday. But, I will do my best.
I plan to get sales set up on Etsy.
In the meantime, feel free to email me if you are interested or have questions.
... feels more like "a day at a time" right now. So many ideas so much to figure out Web-wise.
Oh well, all's well.
Tuesday, April 24, 2007
I am Inspired - A Painting A Day
I have become inspired by something (a movement?) called “A Painting a Day.”
The brain child of Duane Keiser, “A Painting a Day” is a group of independent artists who have made the commitment to paint one painting a day. They usually have a Blog, a website, and an online store where people can either bid on each days painting or buy it outright.
(Click here for a USA Today Article about Keiser.)
The paintings are small, usually postcard size, of excellent quality, and priced so just about anyone who wants to start collecting original art can do so. Keiser spends a few hours a day working on a painting. They paintings go on sale at $100 and can go much higher by the time bidding stops. Generally, the artists don’t get rich, but the sales can put a little cushion into life.
I am happy for the inspiration the whole project has awakened in me. Here’s a way I can do art and still keep the security of my day job.
The inspiration has yet another aspect which was articulated for me by a blogger, Chuck Tanowitz, at his sight, “Media Metamorphosis.” Chuck’s point is this:
I'm a public relations and marketing professional working on the edge of old and new media, watching them collide. Life is always more interesting at the junctions and that’s where we are today.
Everything we know about media is about to change: how we receive information, who produces it, how we pay for it, even when we get it. This revolution will be blogged, podcasted and communicated in ways we haven’t even thought about yet. …people sitting in their homes have the power to reach the world. In this new world it’s the stories that will win.
Yes, I like that sentiment, especially, "Life is always more interesting at the junctions..."
Or, to quote from the article on Keiser in USA Today, “This is a very exciting development…The entire method of [art] collecting has radically changed."
So, I am working towards this. Getting all the ducks lined up.
Duck, duck, GOOSE!
I’ll be going step, by step. First step being sharing a new painting I did last night after work. I call it “For Marcha” because I turned it into a print for a colleague here at work to whom I owe a debt of gratitude.
The background image is from an X-ray film created in an old DNA sequencing experiment. We have a whole box of such films that are just collecting dust. I went through a handful and selected some interesting patterns.
The idea for using DNA sequencing films came from a friend’s comment as she viewed my painting “Blocks 1” (Check it out at Flickr). Being a linguist she just stared and stared, arguing all the little blocks had to be encoding something, she called it a Rosetta Stone.
Well, that’s just what these DNA sequencing films actually do.
In the process of turning the X-ray film into a painting, I had the idea that I could offer prints - prints that were customized with a dedication as I signed them, if the purchaser wanted to gift them… prints that I can make right in my home studio from paintings that are too small to sell as originals.
In fact, I had lots of ideas from this one painting.
Bright ideas kept me lying awake in bed last night with new images and techniques to try, all floating in my head.
Ahh… Inspiration. It makes you really have to exhale!
Saturday, December 30, 2006
Sticks and Stones: Room One
Welcome to Silence: A Gallery.
With these paintings I am trying to capture something of the Silence that permeates creation. I have found in life that Silence springs forth from the simplest of things: a fly tapping against a lamp shade, a dog barking in the distance. I have also found something of that transformation occurs while viewing simple images.
"Sticks and Stones" is my first "online show." In Room One you'll find smaller images, 8 x 10 in size. I made these over Christmas break. The sticks were in my backyard. The stones I found around the house. I scanned these and then "chopped" them with rubber stoppers from my genetics lab (at work) and then "babbled" some calligraphic strokes.
You can click on the images and they grow huge. Too huge, some would same- but, come what may. All my art is discovery. Here's your chance to join in.
Stick Snap. 8 X 10 multimedia ink and scanner. SOLD
Stone with Venus. 8 x 10, mixed media. The stone here I collected as a kid from a river bed in southern Illinois. It's an Indian tool. Seems like those are blood flecks left on the smooth side.
Stick with Pine Cone. 8 x 10 mixed media.
Stone levitating. 8 x 10 mixed media.
Stick at Play. 8 x 10 mixed media. Matted 11 x 14 format. SOLD
Stone as Seed. 8 x 10 mixed media. In the midst of making these paintings I took a break and cut open an avocado for a snack. My new Christmas knife was so sharpe! The cuts oxidized into a nice bright red.
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